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	<title>Odeon Blog</title>
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<site xmlns="com-wordpress:feed-additions:1">198153804</site>	<item>
		<title>Luchino Visconti, centoventi anni dopo: la famiglia come set di un (triste) tramonto</title>
		<link>https://www.odeonblog.it/registi/luchino-visconti-centoventi-anni-dopo-la-famiglia-come-set-di-un-triste-tramonto/</link>
					<comments>https://www.odeonblog.it/registi/luchino-visconti-centoventi-anni-dopo-la-famiglia-come-set-di-un-triste-tramonto/#respond</comments>
		
		<dc:creator><![CDATA[Biagio Prontera]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 10:15:51 +0000</pubDate>
				<category><![CDATA[Registi]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19990</guid>

					<description><![CDATA[<div class="mh-excerpt">di Biagio Prontera Il 2 novembre 1906 nasceva a Milano Luchino Visconti. A centoventi anni di distanza continuiamo a nominarlo come uno dei registi più grandi e importanti della storia cinematografica italiana. Volendone celebrare questo <a class="mh-excerpt-more" href="https://www.odeonblog.it/registi/luchino-visconti-centoventi-anni-dopo-la-famiglia-come-set-di-un-triste-tramonto/" title="Luchino Visconti, centoventi anni dopo: la famiglia come set di un (triste) tramonto">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/registi/luchino-visconti-centoventi-anni-dopo-la-famiglia-come-set-di-un-triste-tramonto/">Luchino Visconti, centoventi anni dopo: la famiglia come set di un (triste) tramonto</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">19990</post-id>	</item>
		<item>
		<title>Dau di Ilya Khrzhanovsky</title>
		<link>https://www.odeonblog.it/recensioni/dau-di-ilya-khrzhanovsky/</link>
					<comments>https://www.odeonblog.it/recensioni/dau-di-ilya-khrzhanovsky/#respond</comments>
		
		<dc:creator><![CDATA[Giulia Pugliese]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 07:59:48 +0000</pubDate>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[Recensioni]]></category>
		<category><![CDATA[Carlo Rovelli]]></category>
		<category><![CDATA[Cinema politico]]></category>
		<category><![CDATA[cinema russo]]></category>
		<category><![CDATA[cinema sovietico]]></category>
		<category><![CDATA[cinema sperimentale]]></category>
		<category><![CDATA[Dau]]></category>
		<category><![CDATA[DAU film]]></category>
		<category><![CDATA[film biografico]]></category>
		<category><![CDATA[Ilya Khrzhanovsky]]></category>
		<category><![CDATA[Lev Landau]]></category>
		<category><![CDATA[Marina Abramović]]></category>
		<category><![CDATA[Premio Nobel]]></category>
		<category><![CDATA[Putin]]></category>
		<category><![CDATA[russia]]></category>
		<category><![CDATA[sokurov]]></category>
		<category><![CDATA[Tarkovskij]]></category>
		<category><![CDATA[Unione Sovietica]]></category>
		<category><![CDATA[videoarte]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19918</guid>

					<description><![CDATA[<div class="mh-excerpt">di Giulia Pugliese Dau è l’impresa ventennale di Ilya Khrzhanovsky, che negli anni ha costruito microstorie intorno al semi-sconosciuto personaggio di Lev Landau detto Dau, l’Oppenheimer sovietico, fisico che inventò la bomba atomica per l’URSS <a class="mh-excerpt-more" href="https://www.odeonblog.it/recensioni/dau-di-ilya-khrzhanovsky/" title="Dau di Ilya Khrzhanovsky">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/recensioni/dau-di-ilya-khrzhanovsky/">Dau di Ilya Khrzhanovsky</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19918</post-id>	</item>
		<item>
		<title>Marco Bechis. Intervista al regista di Ritorno a Buenos Aires</title>
		<link>https://www.odeonblog.it/registi/marco-bechis-intervista-al-regista-di-ritorno-a-buenos-aires/</link>
					<comments>https://www.odeonblog.it/registi/marco-bechis-intervista-al-regista-di-ritorno-a-buenos-aires/#respond</comments>
		
		<dc:creator><![CDATA[Lorenza Del Tosto]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 15:03:08 +0000</pubDate>
				<category><![CDATA[Registi]]></category>
		<category><![CDATA[Adriano Giannini]]></category>
		<category><![CDATA[argentina]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema argentino]]></category>
		<category><![CDATA[cinema italiano]]></category>
		<category><![CDATA[desaparecidos]]></category>
		<category><![CDATA[dittatura argentina]]></category>
		<category><![CDATA[film sulla dittatura argentina]]></category>
		<category><![CDATA[Garage Olimpo]]></category>
		<category><![CDATA[la memoria dei sopravvissuti e il peso della testimonianza.]]></category>
		<category><![CDATA[Marco Bechis]]></category>
		<category><![CDATA[Marco Bechis presenta a Venezia 83 Ritorno a Buenos Aires]]></category>
		<category><![CDATA[memoria]]></category>
		<category><![CDATA[Ritorno a Buenos Aires]]></category>
		<category><![CDATA[Ritorno a Buenos Aires film]]></category>
		<category><![CDATA[senso di colpa]]></category>
		<category><![CDATA[sopravvissuti]]></category>
		<category><![CDATA[testimonianza]]></category>
		<category><![CDATA[Venezia 83]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19968</guid>

					<description><![CDATA[<div class="mh-excerpt">di Lorenza Del Tosto Sopra le nostre teste la pioggia batte con furia, il cielo fuori si è fatto buio, ma dentro, sotto il tendone, si sta bene, ci si sente al sicuro in compagnia <a class="mh-excerpt-more" href="https://www.odeonblog.it/registi/marco-bechis-intervista-al-regista-di-ritorno-a-buenos-aires/" title="Marco Bechis. Intervista al regista di Ritorno a Buenos Aires">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/registi/marco-bechis-intervista-al-regista-di-ritorno-a-buenos-aires/">Marco Bechis. Intervista al regista di Ritorno a Buenos Aires</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19968</post-id>	</item>
		<item>
		<title>Yuval Abraham e Rachel Szor. Intervista ai registi di Naza</title>
		<link>https://www.odeonblog.it/interviste/yuval-abraham-e-rachel-szor-intervista-ai-registi-di-naza/</link>
					<comments>https://www.odeonblog.it/interviste/yuval-abraham-e-rachel-szor-intervista-ai-registi-di-naza/#respond</comments>
		
		<dc:creator><![CDATA[Lorenza Del Tosto]]></dc:creator>
		<pubDate>Tue, 22 Sep 2026 09:44:36 +0000</pubDate>
				<category><![CDATA[Interviste]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema documentario]]></category>
		<category><![CDATA[cinema e Gaza]]></category>
		<category><![CDATA[cinema e guerra]]></category>
		<category><![CDATA[documentario]]></category>
		<category><![CDATA[Gaza]]></category>
		<category><![CDATA[Israele]]></category>
		<category><![CDATA[mostra del cinema di venezia]]></category>
		<category><![CDATA[Naza]]></category>
		<category><![CDATA[Naza film]]></category>
		<category><![CDATA[Naza Venezia 83]]></category>
		<category><![CDATA[No Other Land]]></category>
		<category><![CDATA[Palestina]]></category>
		<category><![CDATA[Rachel Szor]]></category>
		<category><![CDATA[Rachel Szor Naza]]></category>
		<category><![CDATA[recensioni film]]></category>
		<category><![CDATA[Venezia 83]]></category>
		<category><![CDATA[Yuval Abraham]]></category>
		<category><![CDATA[Yuval Abraham Naza]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19928</guid>

					<description><![CDATA[<div class="mh-excerpt">di Lorenza Del Tosto Sapere di loro è una cosa, incontrarli ben altra. Da allora ci accompagna un’aura di coraggio, coraggio altrui ovviamente: una sensazione sconosciuta, un’emozione indefinibile.&#160; Non è bastato vedere No other land <a class="mh-excerpt-more" href="https://www.odeonblog.it/interviste/yuval-abraham-e-rachel-szor-intervista-ai-registi-di-naza/" title="Yuval Abraham e Rachel Szor. Intervista ai registi di Naza">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/interviste/yuval-abraham-e-rachel-szor-intervista-ai-registi-di-naza/">Yuval Abraham e Rachel Szor. Intervista ai registi di Naza</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19928</post-id>	</item>
		<item>
		<title>Naza di Yuval Abraham e Rachel Szor, Venezia 83</title>
		<link>https://www.odeonblog.it/festival/naza-di-yuval-abraham-e-rachel-szor/</link>
					<comments>https://www.odeonblog.it/festival/naza-di-yuval-abraham-e-rachel-szor/#respond</comments>
		
		<dc:creator><![CDATA[Giulia Pugliese]]></dc:creator>
		<pubDate>Tue, 15 Sep 2026 20:34:47 +0000</pubDate>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[blog specializzato sul cinema]]></category>
		<category><![CDATA[cinema documentario]]></category>
		<category><![CDATA[cinema israeliano]]></category>
		<category><![CDATA[cinema news]]></category>
		<category><![CDATA[cinema palestinese]]></category>
		<category><![CDATA[curiosità sul cinema]]></category>
		<category><![CDATA[documentari politici]]></category>
		<category><![CDATA[documentario Gaza]]></category>
		<category><![CDATA[documentario guerra]]></category>
		<category><![CDATA[documentario politico]]></category>
		<category><![CDATA[Festival di Venezia 2026]]></category>
		<category><![CDATA[Gaza]]></category>
		<category><![CDATA[i migliori siti sul cinema]]></category>
		<category><![CDATA[Israele]]></category>
		<category><![CDATA[La Voce di Hind Rajab]]></category>
		<category><![CDATA[Naza]]></category>
		<category><![CDATA[Naza recensione]]></category>
		<category><![CDATA[Naza Venezia 83]]></category>
		<category><![CDATA[No Other Land]]></category>
		<category><![CDATA[odeonblog]]></category>
		<category><![CDATA[Palestina]]></category>
		<category><![CDATA[Premio Speciale della Giuria]]></category>
		<category><![CDATA[Rachel Szor]]></category>
		<category><![CDATA[Ultime news cinema]]></category>
		<category><![CDATA[Venezia 83]]></category>
		<category><![CDATA[Yuval Abraham]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19895</guid>

					<description><![CDATA[<div class="mh-excerpt">di Giulia Pugliese “Io sono stato in Polonia, ho visitato i campi, cosa sono io? Il paragone più vicino è un nazista” Naza vince il Premio Speciale della Giuria ed è un buon segnale sia <a class="mh-excerpt-more" href="https://www.odeonblog.it/festival/naza-di-yuval-abraham-e-rachel-szor/" title="Naza di Yuval Abraham e Rachel Szor, Venezia 83">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/festival/naza-di-yuval-abraham-e-rachel-szor/">Naza di Yuval Abraham e Rachel Szor, Venezia 83</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19895</post-id>	</item>
		<item>
		<title>Possible Love di Lee Chang-dong, Venezia 83</title>
		<link>https://www.odeonblog.it/recensioni/possible-love-di-lee-chang-dong-venezia-83/</link>
					<comments>https://www.odeonblog.it/recensioni/possible-love-di-lee-chang-dong-venezia-83/#respond</comments>
		
		<dc:creator><![CDATA[Giulia Pugliese]]></dc:creator>
		<pubDate>Tue, 15 Sep 2026 20:33:54 +0000</pubDate>
				<category><![CDATA[Mostre-Festival]]></category>
		<category><![CDATA[Recensioni]]></category>
		<category><![CDATA[blog specializzato sul cinema]]></category>
		<category><![CDATA[borghesia]]></category>
		<category><![CDATA[Cho Yeo-jeong]]></category>
		<category><![CDATA[Cinema coreano]]></category>
		<category><![CDATA[Cinema d'autore]]></category>
		<category><![CDATA[cinema news]]></category>
		<category><![CDATA[cinema sudcoreano]]></category>
		<category><![CDATA[Classe operaia]]></category>
		<category><![CDATA[curiosità sul cinema]]></category>
		<category><![CDATA[film coreani]]></category>
		<category><![CDATA[i migliori siti sul cinema]]></category>
		<category><![CDATA[intelligenza artificiale]]></category>
		<category><![CDATA[Jeon Do-yeon]]></category>
		<category><![CDATA[Jo In Sung]]></category>
		<category><![CDATA[Lee Chang-dong]]></category>
		<category><![CDATA[Lee Chang-dong recensione]]></category>
		<category><![CDATA[lotta di classe]]></category>
		<category><![CDATA[odeonblog]]></category>
		<category><![CDATA[Possible Love]]></category>
		<category><![CDATA[Possible Love recensione]]></category>
		<category><![CDATA[recensione cinema]]></category>
		<category><![CDATA[recensione film]]></category>
		<category><![CDATA[Sul Kyung-gu]]></category>
		<category><![CDATA[Ultime news cinema]]></category>
		<category><![CDATA[Venezia 83]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19884</guid>

					<description><![CDATA[<div class="mh-excerpt">di Giulia Pugliese “Questa sera c’è proprio una bella luna” Il cinema di Lee Chang-dong è un cinema che si prende il suo tempo, con una narrazione ampia riesce a unire fascino a crudeltà. Il <a class="mh-excerpt-more" href="https://www.odeonblog.it/recensioni/possible-love-di-lee-chang-dong-venezia-83/" title="Possible Love di Lee Chang-dong, Venezia 83">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/recensioni/possible-love-di-lee-chang-dong-venezia-83/">Possible Love di Lee Chang-dong, Venezia 83</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19884</post-id>	</item>
		<item>
		<title>The Echo Chamber di Pallaoro Venezia 83</title>
		<link>https://www.odeonblog.it/recensioni/the-echo-chamber-di-pallaoro-venezia-83/</link>
					<comments>https://www.odeonblog.it/recensioni/the-echo-chamber-di-pallaoro-venezia-83/#respond</comments>
		
		<dc:creator><![CDATA[Letizia Piredda]]></dc:creator>
		<pubDate>Tue, 15 Sep 2026 18:18:08 +0000</pubDate>
				<category><![CDATA[Recensioni]]></category>
		<category><![CDATA[Ava]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[blog specializzato sul cinema]]></category>
		<category><![CDATA[Cinema d'autore]]></category>
		<category><![CDATA[cinema italiano]]></category>
		<category><![CDATA[cinema news]]></category>
		<category><![CDATA[cura e controllo]]></category>
		<category><![CDATA[curiosità sul cinema]]></category>
		<category><![CDATA[dipendenza]]></category>
		<category><![CDATA[dolore]]></category>
		<category><![CDATA[film italiano]]></category>
		<category><![CDATA[fisioterapia]]></category>
		<category><![CDATA[i migliori siti sul cinema]]></category>
		<category><![CDATA[Leo e Anne]]></category>
		<category><![CDATA[odeonblog]]></category>
		<category><![CDATA[presenza e assenza]]></category>
		<category><![CDATA[relazione di coppia]]></category>
		<category><![CDATA[tossicodipendenza]]></category>
		<category><![CDATA[Ultime news cinema]]></category>
		<category><![CDATA[ultimo soggetto di Bernardo Bertolucci]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19872</guid>

					<description><![CDATA[<div class="mh-excerpt">di Letizia Piredda &#8220;Che cos’è l’eco? Non è la voce originale, ma qualcosa che torna dopo che la voce originale è scomparsa&#8221;. Il film che si basa sull’ultimo soggetto di Bernardo Bertolucci rimasto inedito,&#160;ruota intorno <a class="mh-excerpt-more" href="https://www.odeonblog.it/recensioni/the-echo-chamber-di-pallaoro-venezia-83/" title="The Echo Chamber di Pallaoro Venezia 83">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/recensioni/the-echo-chamber-di-pallaoro-venezia-83/">The Echo Chamber di Pallaoro Venezia 83</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19872</post-id>	</item>
		<item>
		<title>Woman Unknown di May el-Toukhy</title>
		<link>https://www.odeonblog.it/serie-tv/woman-unknown-di-may-el-toukhy/</link>
					<comments>https://www.odeonblog.it/serie-tv/woman-unknown-di-may-el-toukhy/#respond</comments>
		
		<dc:creator><![CDATA[Giulia Pugliese]]></dc:creator>
		<pubDate>Tue, 15 Sep 2026 12:12:59 +0000</pubDate>
				<category><![CDATA[Premiazioni]]></category>
		<category><![CDATA[blog specializzato sul cinema]]></category>
		<category><![CDATA[cinema al femminile]]></category>
		<category><![CDATA[cinema danese]]></category>
		<category><![CDATA[cinema danese contemporaneo]]></category>
		<category><![CDATA[cinema news]]></category>
		<category><![CDATA[collaborazionismo]]></category>
		<category><![CDATA[curiosità sul cinema]]></category>
		<category><![CDATA[Disuguaglianze sociali]]></category>
		<category><![CDATA[donne e dopoguerra]]></category>
		<category><![CDATA[donne nella guerra]]></category>
		<category><![CDATA[film Venezia 2026]]></category>
		<category><![CDATA[film Woman Unknown]]></category>
		<category><![CDATA[i migliori siti sul cinema]]></category>
		<category><![CDATA[Leone d'oro]]></category>
		<category><![CDATA[Leone d’Oro Venezia 83]]></category>
		<category><![CDATA[Marie Woman Unknown]]></category>
		<category><![CDATA[May el-Toukhy]]></category>
		<category><![CDATA[odeonblog]]></category>
		<category><![CDATA[sessualità femminile]]></category>
		<category><![CDATA[Ultime news cinema]]></category>
		<category><![CDATA[Venezia 83]]></category>
		<category><![CDATA[Woman Unknown]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=19834</guid>

					<description><![CDATA[<div class="mh-excerpt">Woman Unknown è un film rigoroso, in pieno controllo di se stesso, dettagliato, accurato e che si muove in un contesto storico, senza però perdere la storia dei personaggi. Il film ci mostra la quotidianità di Marie, tata della figlia di un ricco industriale, che sta per sposare il suo datore di lavoro. Finalmente sta per intraprendere quell’agognato passo sociale che le permetterà di diventare una signora della borghesia.</div>
<p> <a class="mh-excerpt-more" href="https://www.odeonblog.it/serie-tv/woman-unknown-di-may-el-toukhy/" title="Woman Unknown di May el-Toukhy">[...]</a></p>
<p>L'articolo <a href="https://www.odeonblog.it/serie-tv/woman-unknown-di-may-el-toukhy/">Woman Unknown di May el-Toukhy</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">19834</post-id>	</item>
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		<title>Col cuore in gola (1967): Il Pop-Giallo di Tinto Brass risplende al restauro di Venezia 83</title>
		<link>https://www.odeonblog.it/film-restaurati/col-cuore-in-gola-1967-il-pop-giallo-di-tinto-brass-risplende-al-restauro-di-venezia-2026/</link>
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		<dc:creator><![CDATA[Biagio Prontera]]></dc:creator>
		<pubDate>Tue, 15 Sep 2026 11:49:50 +0000</pubDate>
				<category><![CDATA[Film restaurati]]></category>
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		<guid isPermaLink="false">https://www.odeonblog.it/?p=19850</guid>

					<description><![CDATA[<div class="mh-excerpt">di Biagio Prontera Presentato in versione restaurata come film di preapertura alla Mostra Internazionale d&#8217;Arte Cinematografica di Venezia 83, Col cuore in gola (1967) rappresenta un momento fondamentale per riscoprire il talento visivo di Tinto <a class="mh-excerpt-more" href="https://www.odeonblog.it/film-restaurati/col-cuore-in-gola-1967-il-pop-giallo-di-tinto-brass-risplende-al-restauro-di-venezia-2026/" title="Col cuore in gola (1967): Il Pop-Giallo di Tinto Brass risplende al restauro di Venezia 83">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/film-restaurati/col-cuore-in-gola-1967-il-pop-giallo-di-tinto-brass-risplende-al-restauro-di-venezia-2026/">Col cuore in gola (1967): Il Pop-Giallo di Tinto Brass risplende al restauro di Venezia 83</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">19850</post-id>	</item>
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		<title>&#8220;Succederà questa notte&#8221; di Nanni Moretti, Venezia 83</title>
		<link>https://www.odeonblog.it/festival/succedera-questa-notte-di-nanni-moretti-venezia-83/</link>
					<comments>https://www.odeonblog.it/festival/succedera-questa-notte-di-nanni-moretti-venezia-83/#respond</comments>
		
		<dc:creator><![CDATA[Letizia Piredda]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 15:20:18 +0000</pubDate>
				<category><![CDATA[Festival]]></category>
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		<guid isPermaLink="false">https://www.odeonblog.it/?p=19814</guid>

					<description><![CDATA[<div class="mh-excerpt">di Letizia Piredda Tre piani è stato un film di rottura con il cinema morettiano, un taglio netto davvero difficile da digerire anche per i più aperti, per i più possibilisti. Questo passaggio così improvviso <a class="mh-excerpt-more" href="https://www.odeonblog.it/festival/succedera-questa-notte-di-nanni-moretti-venezia-83/" title="&#8220;Succederà questa notte&#8221; di Nanni Moretti, Venezia 83">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/festival/succedera-questa-notte-di-nanni-moretti-venezia-83/">&#8220;Succederà questa notte&#8221; di Nanni Moretti, Venezia 83</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
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