<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>wong kar wai Archivi - Odeon Blog</title>
	<atom:link href="https://www.odeonblog.it/tag/wong-kar-wai/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.odeonblog.it/tag/wong-kar-wai/</link>
	<description>Odeon Blog – Il tuo punto di riferimento per analisi cinematografiche, recensioni, interviste, curiosità e approfondimenti sul linguaggio del cinema. Scopri storie, volti e capolavori con passione!</description>
	<lastBuildDate>Thu, 27 Feb 2025 12:48:20 +0000</lastBuildDate>
	<language>it-IT</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.1</generator>

<image>
	<url>https://www.odeonblog.it/wp-content/uploads/2026/06/cropped-Odeon-blog-favicon-1-32x32.jpg</url>
	<title>wong kar wai Archivi - Odeon Blog</title>
	<link>https://www.odeonblog.it/tag/wong-kar-wai/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">198153804</site>	<item>
		<title>In the mood for love: un melò tra Hitchcock e Resnais</title>
		<link>https://www.odeonblog.it/recensioni/in-the-mood-for-love-un-melo-tra-hitchcock-e-resnais/</link>
					<comments>https://www.odeonblog.it/recensioni/in-the-mood-for-love-un-melo-tra-hitchcock-e-resnais/#respond</comments>
		
		<dc:creator><![CDATA[Letizia Piredda]]></dc:creator>
		<pubDate>Tue, 07 Dec 2021 13:59:32 +0000</pubDate>
				<category><![CDATA[Recensioni]]></category>
		<category><![CDATA[alai resnais]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[claustrofobia degli spazi]]></category>
		<category><![CDATA[hong kong]]></category>
		<category><![CDATA[il tempo]]></category>
		<category><![CDATA[l&#039;anno scorso a Marienbad]]></category>
		<category><![CDATA[l&#039;eclisse]]></category>
		<category><![CDATA[la messa in scena della fessura]]></category>
		<category><![CDATA[la ripetizione]]></category>
		<category><![CDATA[liu yichang]]></category>
		<category><![CDATA[michelangelo antonioni]]></category>
		<category><![CDATA[precarietà umana]]></category>
		<category><![CDATA[slit staging]]></category>
		<category><![CDATA[specchi]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[un incontro]]></category>
		<category><![CDATA[wong kar wai]]></category>
		<guid isPermaLink="false">https://www.odeonblog.it/?p=8097</guid>

					<description><![CDATA[<div class="mh-excerpt">di Letizia Piredda In una lezione di cinema preparata per il Festival di Cannes, Wong Kar-wai (d’ora in poi WKW) racconta le diverse scelte che fa quando deve fare un film, ma sottolinea, al di <a class="mh-excerpt-more" href="https://www.odeonblog.it/recensioni/in-the-mood-for-love-un-melo-tra-hitchcock-e-resnais/" title="In the mood for love: un melò tra Hitchcock e Resnais">[...]</a></div>
<p>L'articolo <a href="https://www.odeonblog.it/recensioni/in-the-mood-for-love-un-melo-tra-hitchcock-e-resnais/">In the mood for love: un melò tra Hitchcock e Resnais</a> proviene da <a href="https://www.odeonblog.it">Odeon Blog</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.odeonblog.it/recensioni/in-the-mood-for-love-un-melo-tra-hitchcock-e-resnais/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8097</post-id>	</item>
	</channel>
</rss>
